Traditionally, short stories are birthed out of what-ifs.
What if you go to Mars and find dead relatives? What if a sea monster confuses a fog horn with a mating call? Both of those examples, by the way, are from master short story writer Ray Bradbury.
In Donald Lystra’s latest story collection “Something that Feels Like Truth,” he does something very different from Bradbury. In many ways, his Michigan short stories are not what-ifs but episodes. They are brief glimpses into the lives of real people, and each is at a turning point or a moment of self-realization. These are character studies focused more on the emotional impact of a moment than on a surprising plot twist.